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Rig Veda 10:129 is in a famous hymn of the tenth mandala. It is generally regarded as one of the later hymns, probably composed in the 9th century BCE. It has the Indian name Nasadiya Sukta, "Not the Non-existen", and is often given the English title Creation, because of its subject.

The Paradox of Origin
The advanced abstract reasoning in the hymn has brought it a lot of attention, not only within indology, but from scholars of philosophy and the history of religion as well. Its line of thought relates splendidly to cosmological thinking of the philosophers of Ancient Greece, all through to present day astronomy.
And it ends with what seems like a punch line, a paradox taken to the extreme, almost as if the unknown poet of it was making a joke. Here are the last lines of it (in Max Müller's translation):

Who knows from whence this great creation sprang?
He from whom all this great creation came.
Whether his will created or was mute,
The Most High seer that is in highest heaven,
He knows it - or perchance even He knows not.

In Hindu philosophy, the existence of the universe is governed by the Trimurti of Brahma (the Creator), Vishnu (the Sustainer) and Shiva (the Destroyer).
The sequence of Avatars of Vishnu- the Dasavatara (Sanskrit: Dasa-ten, Avatara-incarnation) is generally accepted by most Hindus today as correlating well with Darwin's theory of evolution, the first Avatar generating from the environment of water.
Hindus thus do not see much conflict between creation and evolution. An additional reason for this could also be the Hindu concept of cyclic time, such as yugas, or days of Brahma in approximately 4.3 billion year cycles (unlike the concept of linear time in many other religions). In fact, time is represented as Kaala Chakra - the Wheel of Time. (alchemy wheel)
In Hinduism, nature and all of God's creations are manifestations of Him. He is within and without his creations, pervading the entire universe and also observing it externally. Hence all animals and humans have a divine element in them that is covered by the ignorance and illusions of material or profane existence.
In earlier Vedic thinking, the universe was created by Hiranyagarbha (here interpreted as 'the golden embryo') or by Prajapati who was born from the Hiranyagarbha (here interpreted as 'the golden womb'). Prajapati was later identified with the puranic Brahma. Other gods are credited with acts of creation, primarily the act of propping apart the sky and the Earth - gods who are said to have done this include Indra, Varuna and Vishnu.
Another myth which began in late Rig-Vedic times with the Purusha Sukta hymn was the story of the creation of the universe from the remains of the primaeval cosmic male Purusha, who had sacrificed himself or been sacrificed by other primaeval beings (not the most popular Vedic gods because they were said to have been born from Purusha after the sacrifice) at the Purushamedha yajna.
According to Hindo Mythology creation happened gradually. The universe in primitive form was made up of Ishwat Tattva, the Ishwar Tattva primarily spread homogeniously throughout the universe.
Sar veshaktiman and Sarvevyapak, were some other names ofIshwar Tattva.
Purusha and Prakriti identifies as energy and matter, mixing of these two in different ratios resulted in Sattva, Rajas and Tamas. Sattva having great amount of energy and little matter, Tamas having less energy and big matter, Rajas being in between, are basic building blocks of our Universe.
Presently they can be interpreted as Electron, Proton and Neutron. These three basic Gunas in different ratio made five elements, namad as Ether, Air, Fire, Water and Earth. These five elements present in the universe can be observed directly by our Ten Indriyas, five Gyanendriyans and five Karmendriyans.
The Vedic traditions of India tell us that we are now in the Fourth Age of mankind.
The Vedas call them the "The Golden Age", "The Silver Age", and "The Bronze Age" and we are now, according to their scriptures in the "The Iron Age". As we approach the end of the 20th century both Native Americans, Mayans, and Incans, prophecies claim that we are coming to the end of an age.
The Vimanas - The Ramayana describes a Vimana as a double-deck, circular (cylindrical) aircraft with portholes and a dome. It flew with the speed of the wind and gave forth a melodious sound (a humming noise?). Ancient Indian texts on Vimanas are so numerous it would take several books to relate what they have to say. The ancient Indians themselves wrote entire flight manuals on the control of various types of Vimanas, of which there were basically four: the Shakuna Vimana, the Sundara Vimana, the Rukma Vimana and the Tripura Vimana.

The secret of constructing aeroplanes, which will not break, which cannot be cut, will not catch fire, and cannot be destroyed.
The secret of making planes motionless.
The secret of making planes invisible.
The secret of hearing conversations and other sounds in enemy planes.
The secret of receiving photographs of the interior of enemy planes.
The secret of ascertaining the direction of enemy planes approach.
The secret of making persons in enemy planes lose consciousness.
The secret of destroying enemy planes.

Sanskrit texts are filled with references to Gods who fought battles in the sky using Vimanas equipped with weapons as deadly as any we can deploy in these more enlightened times. For example, there is a passage in the Ramayana which reads: The Puspaka car that resembles the Sun and belongs to my brother was brought by the powerful Ravan; that aerial and excellent car going everywhere at will.... that car resembling a bright cloud in the sky.
".. and the King [Rama] got in, and the excellent car at the command of the Raghira, rose up into the higher atmosphere."
In the Mahabharatra, an ancient Indian poem of enormous length, we learn that an individual named Asura Maya had a Vimana measuring twelve cubits in circumference, with four strong wheels. The poem is a veritable gold mine of information relating to conflicts between gods who settled their differences apparently using weapons as lethal as the ones we are capable of deploying.
Apart from 'blazing missiles', the poem records the use of other deadly weapons. 'Indra's Dart' operated via a circular 'reflector'. When switched on, it produced a 'shaft of light' which, when focused on any target, immediately 'consumed it with its power'.
In one particular exchange, the hero, Krishna, is pursuing his enemy, Salva, in the sky, when Salva's Vimana, the Saubha is made invisible in some way. Undeterred, Krishna immediately fires off a special weapon: 'I quickly laid on an arrow, which killed by seeking out sound'.
Many other terrible weapons are described, quite matter of factly, in the Mahabharata, but the most fearsome of all is the one used against the Vrishis.
The narrative records:
Gurkha flying in his swift and powerful Vimana hurled against the three cities of the Vrishis and Andhakas a single projectile charged with all the power of the Universe. An incandescent column of smoke and fire, as brilliant as ten thousands suns, rose in all its splendor. It was the unknown weapon, the Iron Thunderbolt, a gigantic messenger of death which reduced to ashesthe entire race of the Vrishnis and Andhakas.
It is important to note, that these kinds of records are not isolated. They can be cross-correlated with similiar reports in other ancient civilizations. The after-affects of this Iron Thunderbolt have an ominously recognizable ring. Apparently, those killed by it were so burnt that their corpses were unidentifiable. The survivors fared little better, as it caused their hair and nails to fall out.
Perhaps the most disturbing and challenging, information about these allegedly mythical Vihmanas in the ancient records is that there are some matter-of-fact records, describing how to build one. In their way, the instructions are quite precise.
In the Sanskrit Samarangana Sutradhara, it is written: Strong and durable must the body of the Vihmana be made, like a great flying bird of light material. Inside one must put the mercury engine with its iron heating apparatus underneath. By means of the power latent in the mercury which sets the driving whirlwind in motion, a man sitting inside may travel a great distance in the sky. The movements of the Vimana are such that it can vertically ascend, vertically descend, move slanting forwards and backwards. With the help of the machines human beings can fly in the air and heavenly beings can come down to earth.

The Rigveda, in its 1028 hymns, makes mention of the gods and talks about the creation of the world. It is a primary reference for identifying the gods and the pantheon and also provides directions on worship and ritual.
The Rigveda mentions 2-3 creation myths, providing bias to the fact that the books had multiple authors and were completed over many years; indeed centuries. I will visit these in the future.
Well Bang a GONG !